Eclectic Studio - Tammy Morrison-Koenig

8*10 wrapped canvas Acrylic pouring is an exciting, unpredictable painting technique that doesn't involve brushes and can provide you with finished paintings or interesting backgrounds for additional techniques such as this one. Here is another revamped failed pour painting that after the addition of ink and watercolor it transformed it into something spectacular. Carefully places accents help to acentuate the.hair and weathered face of this individual.  I also tried really hard not to cover all of the beautiful background instead using the texture to my advantage. I LOVE this painting, it has everything I look for in a self-critic of my work, contrast, color, spontaneity, interest, lost and found edges. I hope this inspires you to try something new. If you found this of interest remember sharing is caring. 

I have been experimenting with a new technique of acrylic pouring with mixed results. This little 8*10 painting is one of those pours that didn't quite turn out the way I hoped, so when it dried instead of repouring it, I decided to use it as a background for another painting. I drew inspiration from the complimentary muted turquoises and rusty tones to dictate the overall theme of the painting. As there were not a lot of "pre-loaded images" to work within this pour so I had to carve out the images and work with the texture of the background. The muted blues/greys and texture also reminded me of washed out plaster of the Mediterranean so running with that I emphasized the oranges, pinks, and greens. With all the visual interest the background you don't have to worry about covering all the underpainting, just add enough detail develop your vision.

This painting was started by using a messy background that was accomplished by using inks, acrylics, heavy body gel medium and stencils for texture. You can see the texture of the gel medium being utilized in the fish and some raised letters and symbols hidden in the background. I used some drywall tape and randomly smooshed some medium into the holes and it worked to give me some texture and direction in the painting, I like this method of intuitive painting because it does not force the work, it just allows it to develop naturally. When I was working on this I had to make a few adjustments as I went. The biggest challenge was connecting the human and fish form This is where I added the tongue with the fishing line - problem solved. For added interest, you can also find some charcoal pencil mark making and a fun foam fish stamp that I pulled from my collection. 16* 20  acrylic on stretched canvas  Hope you enjoy and remember sharing is caring.